Orsay museum exhibition and private guided tour in Montmartre,Chantilly or excursion to discover WW1 in France

Newsletter
12 juin 2018	Édition 2018, Numéro 16
Welcome on our newsletter, We are happy to suggest you a Private walking tour of MONTMARTRE http://sandytours.com/en/our-tours/paris/classic-walking-tours/montmartre-and-the-sacre-coeur-basilica-walking-tour In the north of Paris, it is possible to make an original private excursion to the castle of Chantilly where a beautiful collection of Renaissance art is presented If you are ready to do a longest excursion related with WW1, it is possible to choose this private tour with a driver/guide who will make you feel the events of this war period. Don’t hesitate to contact us in order to adapt and choose the most important site you want to visit.http://sandytours.com/en/our-tours/france-long-distance/minivan-full-day-tours/ww1-battlefields-private-tour Phone :  06 73 14 69 06 Fax : 01 42 11 07 51 E-mail:contact@sandytours.com Web: http://www.sandytours.com	In Colour: Polychrome Sculpture in France 1850-1910 12 June - 9 September 2018 Relatively unknown, 19th century polychrome sculpture is one of the key facets of the history of the discipline. Until the beginning of this century, the only colours permitted in statuary were the white of marble and the monochrome patina of bronzes. But the discovery of the use of polychromy in ancient architecture and sculpture changed people’s perspective, as well as generating heated debate. The question of applying colour to contemporary sculpture superseded archaeological debates, and pioneering sculptors like Charles Cordier began to specialize in this technique from the 1850s. Once the controversy had died down, colour began to establish its legitimacy of the Second Empire thanks to its decorative character, prevailing under the influence of Symbolism and Art Nouveau as of the 1880s. The diversity of materials used testifies to the often sophisticated experimentation carried out, which sometimes produced surprising aesthetic results. Painted waxes and marbles, assembled colored marbles, gold and silver bronzes, pâte de verre and enameled stoneware became the new language of a new style of French sculpture, illustrating artists’ flair for experimentation at the end of the century. The major challenge in applying colour to sculpture lay in the illusionism of the representation, as demonstrated by the scandal caused by Degas’ Little Dancer Aged Fourteen. Coloured sculpture would became the preferred medium of Henry Cross, Jean-Léon Gérôme, Louis-Ernest Barrias, Jean-Désiré Ringel d'Illzach, Jean Carriès and Paul Gauguin. The exhibition presents a selective overview of this very particular aspect of 19th century art through an ensemble of around fifty works from the collections of the Musée d'Orsay. Edouard Papet, general curator, Musée d'Orsay